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Sometimes when someone greets me and I'm not sure what they have said, instead of saying "pardon?", I'll assume they said "how are you doing?" and will reply "doing okay - how are you?" I was at the Turf Club recently and the keyboard player from one of the bands who had performed earlier walked by. I said "hey - good set!" and he nodded at me and said "doing okay - how are you?"
TAKE MY WORD I just read Steve Erickson's Amnesiascope, which excited me like no book has since Nick Hornby's High Fidelity. And dem's mighty big words. You've heard of books that are so good that you can't put them down? This book is so good that at times I had to put it down. The writing is so brilliant, incisive, insightful, and humorous that at times I set the book down, took a deep breath, and just thought about what the man had written. What's it about? It's about a decadent Los Angeles in the near future. It's about sex. It's about America. It's about taking a stand, dealing with the world, and how we all try to get along. It's about a bunch of things that make you think. It's a breathtaking tour de force. How I discovered Erickson provides a (scary?) insight into how my mind works: I was walking through Baxter's Books during my lunch hour and saw a book with a tattered American flag on its cover. I grabbed the book, Erickson's Rubicon Beach, and read the always-hyped blurbs on the back. But wait - Greil Marcus, one of my favorite writers, declared it "the best novel of the year (1986.)" And I'd been thinking of Marcus lately as I had just had a conversation about him with a friend. So I go back to the office, surf the Net (fuck work! there's research to be done!) in search of stuff about Erickson, and decide to read Amnesiascope. I get it from the library and when I finally venture to open it (I had to dare myself because the blurbs on this novel are even grander than those on Rubicon), the first page contains a quote from Mott the Hoople, who I had just got done listening to. So obviously, Erickson was my destiny and is now my new hero. I recently picked up Invisible Republic by Greil Marcus from the library. Imagine my surprise to see that on the back, Nick Hornby praises it. Inside Marcus quotes Amnesiascope, and it's one of the same passages that I photocopied and put it my writing sketchbook for inspiration.
... YOU CAN ONLY HOPE TO CONTAIN HIM You know how everyone must face The Thing They Fear the Most? And after this showdown, they either emerge victorious and enjoy life and all of its rich surprises to the fullest; or they fail, and scurry away into hiding, eventually just becoming a bitter, shadowy, shell of their former selves? Well, I think the Verve Pipe is my Moment of Truth. Can I face down the sappy and just-plain-bad aura of this band? Now, I've only heard three songs by these guys on the radio. The first song I heard by them back in '96 was "Photograph." If you're going to name a song with the same title as Def Leppard's masterpiece, you better have a dandy of a tune coming our way. They didn't. Then they had this song called "Cup of Tea," where in the chorus the lead singer would yell "this is not my CUP OF TEA!!" Yeah, well drink coffee or beer like a real American, ya dork! I saw them open for my main men Semisonic last year and they were boooring. I think eventually I drank my beer and stared at the cigarette machine and pretended it was holding a guitar. It was an improvement. Lately they've had this song called "The Freshmen" which has some of the most godawful lyrics I've heard in a while. Now, normally I let lyrics go because so many great songs have nonsense lyrics, but when they lyrics are thrust out to be an integral part of the song and then said lyrics go "now I'm guilt stricken, sobbing with my head on the floor, stop a baby's breath and a shoe full of rice," I can't hold back. "The Freshmen" will become (or has become?) the equivalent of that Bon Jovi "at prom that night you and me we had a fight" song from a decade ago. I just know in dorm halls across the country there's all these pitiful eighteen year olds cryin' at 2 a.m. after their beer bashes, listenin' to the Verve Pipe! Ah fuck. But Verve Pipe, Live, all those Pearl Jam Lites, man, they're too damn earnest , soul-searching, ... and ultimately just boring. Give me some variety, please. And I know there's bands out there who have a sense of humor, and who can swing, and have personality. But on the radio all I hear is these Sensitive Young Men. I get sick of everyone telling me that all these young bands do is whine - a perception brought about by the fact it seems like because for every fun band like the Mighty Mighty Bosstones there's ten Lives lurking around the corner. So I blame radio, and on Memorial Day weekend, I was haunted by the Verve Pipe and "The Freshmen." Goddamn Verve Pipe. All tender and everything, but lacking any personality whatsoever. You know, David Lee Roth is looking for a job. And who's got more personality than Diamond Dave? If I were king, I'd send Dave to Michigan and make the Verve Pipe hook up with him. I can see it already: Dave starts off by pouring a bunch of Jack Daniels down the throats of each and every Verve Pipers throat. Loosen up, join the party, NOW! Then the lead singer and the keyboardist croak and the two guitarists want to fight Dave. Well, we know Dave will kick their asses - literally - cuz we've all seen those old Van Halen vids where Dave's doin' those high kicks and those of us who bothered to research know that Dave knows his martial arts. So Dave puts the guitarists straight into the hospital, declares himself in charge of the band, and hires Joe Satriani as his right-hand man/foil/guitarist/etc. Why Joe Satriani? Well, because Eddie Van Halen is too busy making "barbecue music for yuppies" (Dave's words) and Smokin' Joe is by far the best of the lot of all of the post-Ed guitarists. Yeah, Joe knows a thing or two about melody and rhythm and plus he's always smiling. He's the guy. Vai, Malmsteen, all those puds are too serious, their solos are pure wank off, and besides - this new Verve Pipe is not about guitar solos, it's about swinging! Swinging as in the "roll" part of rock 'n' roll which also means Dave puts Steven Adler behind the drums, but it's a secret as to not alert everyone that almost all of the original Verve Pipe has been replaced - except for the bass player, who no one listens to anyway. Regardless of how many albums the Verve Pipe have put out, the first Roth/Satriani effort gets called Verve Pipe II, because that title alone means business. This album features a hit single called "Swing the Night Away" and a punked-out (punk as in garage, not mohawks) anthem called "Alive or Dead." Yeah! Then comes Children and Women First, in which Joe makes all kinds of weird noises on his guitar, and Dave sings about drinkin' and arguin' with his parents and girlfriend. It also contains the opening-song ripped-jeans anthem, "And the Crib Will Rock", which becomes a fave down at the Jiffy Lube and makes all the precious freshmen across the nation wish they also worked at the Jiffy Lube. Next up is Affair Warning, arguably the best and certainly the most misunderstood of the Verve Pipe albums. In one package is power-riffing power pop, reggae dabbling, and dark stories like "Mean Avenue", which opens the album and paints a picture of America in Decline. The mood doesn't lift for too much of the rest of the album, and by the end, Dave is scooting out the window to hide from his woman's husband. Well, Verve Pipe have faced their fears, and then what? What do you do after you've made the nineties metal answer to Exile on Main Street? Verve Pipe bounces back with Driver Down, a short album of fuckoffs and covers. The kids buy it, but most of us feel cheated after a couple of spins. Then, after what seems an eternity (as they usually put out albums once a year - none of this Big Rock Star as The Thinker pose and putting out an album every three years), they unleash Brave New World, which finds Dave actually singing some, Joe dabbling in synthesizers, and all the songs being mostly great. The videos, too. The critics have all along complained that they had heard all of this stuff before, but then the original Verve Pipe released "The Freshmen" twice over the span of four years and nobody complained then. You know the rest: Dave splits to go replace Bono in U2, and Joe retires to spend his time giving guitar lessons. The remaining members of the Verve Pipe hire Jon Bon Jovi and Richie Sambora to replace them and the rest of their albums suck.
BACK OF A CAR open road
DOWN WITH THE KING My favorite commercial on TV these days is for the World Wrestling Federation's "King of the Ring" extravaganza. I don't plan on watching this event, trust me, but this commercial rules! It starts with this king, who's wearing a blue cape and shiny crown, eating this big ol' turkey drumstick. These two hungry kids are holding plates, watching the king chow down, and begging "please, king, we're hungry." "Get lost, brats," he says while handing the drumstick to his dog. He then proceeds to choke on his feast. He awakes in a cloudy, brightly lit place, surrounded by babes wearing white. Standing in a wrestling ring, he realizes where he is at and raises his arms in triumph. "Ah, heaven - the great ring in the sky." He folds his arms across his chest and smugly declares, "I truly am ... The King." Suddenly, he gets hit on the head with a guitar. It was swung by Elvis, who says, "not so fast, Lawler!" (I think Lawler is the name of this guy, he must be a wrestler.) Then the camera pans to a long table of kings sitting there, I was able to pick out King Tut and Don King amongst them. One by one, all of them state that this arrogant guy is "not a king." He gets put back in the ring, where everyone proceeds to beat the crap out of him. "Where am I?" he cries, and then Elvis does a wicked karate kick on him to knock him out. We then see the devil sitting on his throne, grinning. "The WWF King of the Ring: coming soon," Elvis says over the details showing the date and time of the show, "thankyouverymuch." Naysayers will criticize this commercial's cheap-o production values and that it pretty much rips off that milk commercial with the yuppie who thinks he is in heaven and starts eating a bunch of big chocolate chip cookies. But this "King of the Ring" ad, along with that milk ad, make statements of biblical proportions. Specifically, they ring of Matthew 19:24 "...it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God." And what is the King of Rock 'n' Roll doing in hell? Doing a stint as an avenging angel, of course. Thankyouverymuch.
Everything written by me, except where noted. The influence/inspiration running amok in "... You Can Only
Hope to Contain Him" should be readily apparent to anyone who has passed Lester
Bangs 201. Correspondence:
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