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I remember where I was when I heard that Elvis died. I was in Jessie's garage, playing guitar in our band, the New Morality. We thought ourselves to be a righteous, cutting-edge punk band, but in retrospect we were probably just another hapless garage-band outfit. Well, Jessie's mom leaned out the door that goes into the kitchen and told us the news. We knew what we had to do. We rushed down to Mother's Records and bought a cassette of the Sun sessions and then learned as many of those numbers as we could that afternoon. Then Jessie's dad came home half snookered (he had rushed to Big Daddy's Lounge when he heard the news and started commiserating) and we sat out on their deck drinking Blatz with him as he told us about when he saw Elvis in Vegas a few years back. We played our regular Friday beer bash out at the machine shop that night. It seemed like most of the kids at the party were laughing about Elvis. Me and Jessie got into some verbal brouhahas with a few of the preps, who all considered Queen's A Night at the Opera to be the cornerstone of rock 'n' roll. The more pissed off we got, the more beer we would drink. Man, we assaulted that keg. By the time we got up on stage we were all pretty much wasted. We tore through "Milkcow Blues Boogie", "That's All Right", "Blue Moon of Kentucky," and "Baby, Let's Play House," butchering pretty much every one of them and our lead singer, Aaron, couldn't remember half of the words to the songs, so he would make his own ones up. All the preps starting throwing beer cups at us, so we did "Mystery Train", told the crowd to fuck off, and then got the hell out of there. Okay, the above version is not true. Punk did not come to my neighborhood until
about 1982, I've never been in a band, I was only twelve when Elvis died, and he
died on a Tuesday - not a Friday. I can't for the life of me remember where I was
when I heard the news. This has driven me nuts the past few years, because the thing
is that I REMEMBER EVERYTHING. I remember hearing my first Paul is Dead rumor, I
remember Nixon resigning, I remember the Fall of Saigon ... oh well, if I continue
to tell the above story to myself every August 16, maybe it will become part of my
reality.
ALL THE GUITARS, HALF THE TALENT... A few years ago in an enlightening office discussion I said that I liked Coke better than Pepsi, but liked Diet Pepsi better than Diet Coke. How can that be, someone asked. I said, it's kinda like how I prefer Pearl Jam to Nirvana, but like Nirvana imitators over Pearl Jam imitators. I recalled that conversation recently while at the Electric Fetus. I thought Rhino Records just issued collections from the distant past, but stumbled upon the following anthology from Rhino: Pearl Jam Lite Volume 1. Well, my impulse shopper took over, so I bought it and took it home to give it a spin. The disc starts with the first Pearl Jam wannabe - Stone Temple Pilot's "Plush." From there on, you get a look at a slice of alt-rock in the mid-nineties. The highlights are Our Lady Peace's "Starseed", which throws in some Axl Rose-like histrionics into the mix; and Silverchair's "Tomorrow," which comes eerily closest to the Pearl Jam sound - complete with "Alive"-like pauses and McCready soloing - not too bad for a bunch of kids. You get the only Candlebox song, "You", you'd want in your collection; but for the most part the disc is made up of mediocrities like Live's "I Alone" (Pearl Jam even more earnest, if you can believe it), Naked's "Mann's Chinese" (Pearl Jam with additional U2 pretensions), Seven Mary Three's "Cumbersome" (southern-fried Pearl Jam), Creed's "My Own Prison" (a rip-off of Seven Mary Three and hence Pearl Jam at the same time) and Verve Pipe's "Cup of Tea" (a Pearl Jam who sucks.) The liner notes read: (and I'm probably breaking copyright laws here by reprinting some of 'em, but so what) "... while Pearl Jam remained prolific in their recording - releasing an album within every two years since their debut - they stopped doing videos after their first album and toured sporadically due to their quixotic battle with TicketMaster. Compounded with the fact that 1996's No Code didn't have as many Pearl Jam-esque songs as their previous albums left America's youth without the saturation and day-to-day presence of Pearl Jam that would ordinarily be required by a band of such stature. Luckily for America's youth, the record companies rushed to fill the void and began concocting their own Pearl Jams. Supply was created to equal demand ..." In his Star Tribune review, Jon Bream gushed "... the Pearl Jam Wannabe movement
shows no signs of dying and I can hardly wait for Pearl Jam Lite Volume 2."
Then he went on to wonder why a Soundgarden song wasn't on the disc.
ALMOST BUSTED Trying to listen to my boombox on my folks' patio. They (my parents) are lurking
somewhere in the yard. Whatya listening to, asks my mom as she walks by, this sounds
good. Uh this is Liz Phair, I say as I rush to put in something else, she kinda has
a pottymouth.
YOUR NEW ROCK ALTERNATIVE! Back in issue #2 I wrote: "... when it comes to commercial radio, the Twin
Cities is just a warm weather Fargo." But get this - Fargo's Edge is better
than our Edge! I was up north for a week or so lately, and would spend a part of
my afternoons listening to 95X out of Fargo (actually Detroit Lakes, I think) and
although the playlist is virtually identical, you do get stuff like INXS' "Don't
Change," "Fight for Your Right to Party" by the Beastie Boys, and
dada's "Disneyland." Plus, the dj's don't even try to be cool (unlike the
Edge's, who do and are hopeless), they just play the songs and don't pretend to know
anything about music. They could go and work at a country station tomorrow and do
just fine. Like most interchangeable dj's, they try to be occasionally funny and
mostly don't succeed.
NOT FUN VOLT The three most fun things about the Son Volt show at First Avenue: (and there's not a lot of fun at Son Volt shows - I mean, I like them a lot, but my friend Joel described them best live when he said "they act like we just woke them up from the middle of a nap and they're not too happy about it.") (Want further proof? How about Big Star's "Holocaust" - albeit a great version - in the second encore?) 1) Their reinterpretation of "Drowned" as a honky-tonk number. They do more of these and they'll get compared to Wilco yet. 2) When Jay Farrar mumbled a sentence between songs and the guy behind me said "Omigod! Jay Farrar said something besides 'thank you'!" 3) Watching the guy in front of me attempt to dance (he was kinda doing a standing
wiggle) to a mid-tempo song. I imagine this is the type of behavior that went on
during Grateful Dead concerts.
REFLECTIONS ON THE UPTOWN ARTS FAIR Here's the big problem: you walk on the right side of the sidewalk, next to the booths with their artwork. The girls in their summer clothes walk to your left, so you don't view much art, but you know little-to-nothing about it anyway, and certainly won't be buying anything for your apartment (look at your walls: Pulp Fiction poster, Rockwell's The Umpires print, and in the bathroom a cutout of the Sports Illustrated cover where the Americans are celebrating the defeat of the Soviets in 1980 Olympic ice hockey.) The guys walking behind you are trying to hustle women. Ah, they're all too preppie or with someone, one of them says as the other practices his Spanish accent. Remember last year when Rockabilly Guy was playing for change on the sidewalk outside the Uptown Bar? Rockabilly Guy (RG), who I used to see frequently playing downtown on Thursdays at the Farmers' Market, is a young man - who doesn't look like a rockabilly with his long hair, ponytail, funky hat and sunglasses - that plays an amplified electric guitar and sings rockabilly songs, mainly from the fifties. No mere poser and no ironic/camp jabs at fifties culture. No. The real thing. When he does Ritchie Valens, he hits the high notes. The same with Chris Isaak. Smiling the whole time, 'cause he loves the music and is having fun. I look around at the people checking out RG. There's a few couples my parents' age who smile as they remember the songs of their youth. There's a couple of people my age tapping their feet and smiling as well. The guy sitting next to me on the curb is staring absorbed at RG, as if he can't believe someone's pulling this off with all the Sha Na Na jokes left at home. Some boomers walk by and smirk. This ain't classic rock ...people actually dig this corny shit?... wasn't this guy on "Happy Days"? So anyway, RG is playing away, doing some stuff by The Killer, Buddy Holly and
The King and then these middle-aged hippie ladies selling clay stuff in the tent
next to him ask him if he'll be playing the whole weekend. Hey, it's 'bout time those
hippies get into something that swings: see what happens when you drop life and not
acid, I think in one of my usual narrow-minded stereotypical thoughts that still
amuse me anyway. But it turns out that the ladies think RG is too loud and they're
worried he'll be giving off a bad vibe for the weekend and turn their little venture
into a bummer trip. They nag him a little about the noise and he smiles and says
don't worry I'm on my way outta here to go watch The Simpsons. Then the hippies feel
bad or at least act that way and say hey you could go play down by the library. Yeah,
I think, heaven forbid you should play rock 'n' roll in front of a rock 'n' roll
bar! (Oops, no live music there since April.) But RG insists on getting home for
The Simpsons and the crowd claps for him. I get up to leave, and take one last look
at the hippie ladies and think the amazing thing about tie-dye is that it flatters
no matter who is wearing it.
EMPTY LIVES Was recently at the Liquor Depot late on a Saturday afternoon. (Have I mentioned that Grain Belt - the real kind in the brown bottle - is now up to $8.49 a case? When I moved to my neighborhood three years ago it was $6.99 a case. Who the hell is buying this stuff - hardly anyone knows about real Belt, they think Premium is the real deal - so who's driving these prices up?) In the parking lot I saw some truly pitiful folks: fans of the Purple. And if being a fan of 1) pro football (perfect sport for Sunday afternoon naps), and 2) the Purple, isn't enough of a case for arrested development, then get this: they were going to an exhibition game. Ah geez, I can hear the talk on KFAN already: callers wanting Randall Cunningham to start, the Purple can overtake the Packers this year, Robert Smith is headed to the Pro Bowl, etc. The only other thing I could think of more pitiful than these poor folks walking to Metrodome on a sunny summer afternoon was 1) Gopher football fans going to watch their team in another month, and 2) some guy going to the Liquor Depot on a Saturday afternoon because he looked in his fridge on Friday after work and said "oh yeah, I got enough brew to get me through the weekend" and then proceeds to do nothing on Friday night except leave messages on his friends' answering machines and listen to loud music on headphones in the dark and then he wakes up on Saturday and says "shit, I gotta buy some beer today - only one bottle left."
Everything written by me, except where noted. In an attempt to break even, print readers are going to be paying $1.00 to read future issues ($4.00 for five issues.) This is going out free to you email readers as there are no postage or photocopying costs. However, donations to the cause are glady accepted. Correspondence:
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